Established by Bruno Boterf, the twelve-voice ensemble, Ludus Modalis “The Mode Game” – has set itself the task of restoring the sound palette of sacred and secular polyphonic repertoire of the Renaissance and pre-Baroque. The group tries to distinguish itself from a too-generalised approach to interpretation, by concentrating on those aspects of performance practice sometimes neglected, such as pronunciation, an intonation governed by the use of the different modes, temperament, a search for variety in vocal sonority, and a scrupulous respect for the original sources, reinforced by collaboration with musicologists.
By adopting a practice of combining male, female and children's voices, Ludus Modalis strives to be an ensemble, in the first place, of colours,where the mixing of contrasting timbres is seen as a source of richness, and where beauty is not the predominant notion, but rather an “ornamental” aspect.